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Low Road Forever & Other Essays
Tara Thorne
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Ebook in EPUB format. Available for immediate download after we receive your order
Ebook in EPUB format. Available for immediate download after we receive your order
Publisher:
Nimbus
Nimbus
DRM:
Watermark
Watermark
Publication Year:
2022
2022
ISBN-13:
9781774711750
Description:
A self-proclaimed “gay feminist harpy since before it was cool,” Tara Thorne is situated somewhere between the sharp-eyed urban commentary of Nora Ephron and ribald cultural analysis of Lindy West. In her debut book of essays, the Halifax-based filmmaker, arts critic, and recovering journalist gives readers her unvarnished take on the films and music that made her a feminist, how the #MeToo reckoning led her to write a misandrist vigilante film, what it’s like being the only woman in a band, and the snarky tweet that made her lose her position as CBC Radio’s arts and culture columnist. Alongside are musings on coming out later in life, remaining resolutely child-free, and why she’s decided to step back from being professional to the point of erasure: after two decades, it’s time to take the low road.
With the cranky forthrightness of Fran Lebowitz in Pretend It’s a City, Thorne’s voice is both self-assured and deeply self-effacing as she exposes the light haze of misogyny that hangs over us all to find what’s funny, what’s true, and what needs to be said. A self-proclaimed “gay feminist harpy since before it was cool,” Tara Thorne is situated somewhere between the sharp-eyed urban commentary of Nora Ephron and ribald cultural analysis of Lindy West. In her debut book of essays, the Halifax-based filmmaker, arts critic, and recovering journalist gives readers her unvarnished take on the films and music that made her a feminist, how the #MeToo reckoning led her to write a misandrist vigilante film, what it’s like being the only woman in a band, and the snarky tweet that made her lose her position as CBC Radio’s arts and culture columnist. Alongside are musings on coming out later in life, remaining resolutely child-free, and why she’s decided to step back from being professional to the point of erasure: after two decades, it’s time to take the low road.
With the cranky forthrightness of Fran Lebowitz in Pretend It’s a City, Thorne’s voice is both self-assured and deeply self-effacing as she exposes the light haze of misogyny that hangs over us all to find what’s funny, what’s true, and what needs to be said.
With the cranky forthrightness of Fran Lebowitz in Pretend It’s a City, Thorne’s voice is both self-assured and deeply self-effacing as she exposes the light haze of misogyny that hangs over us all to find what’s funny, what’s true, and what needs to be said. A self-proclaimed “gay feminist harpy since before it was cool,” Tara Thorne is situated somewhere between the sharp-eyed urban commentary of Nora Ephron and ribald cultural analysis of Lindy West. In her debut book of essays, the Halifax-based filmmaker, arts critic, and recovering journalist gives readers her unvarnished take on the films and music that made her a feminist, how the #MeToo reckoning led her to write a misandrist vigilante film, what it’s like being the only woman in a band, and the snarky tweet that made her lose her position as CBC Radio’s arts and culture columnist. Alongside are musings on coming out later in life, remaining resolutely child-free, and why she’s decided to step back from being professional to the point of erasure: after two decades, it’s time to take the low road.
With the cranky forthrightness of Fran Lebowitz in Pretend It’s a City, Thorne’s voice is both self-assured and deeply self-effacing as she exposes the light haze of misogyny that hangs over us all to find what’s funny, what’s true, and what needs to be said.
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